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The Hundred Dresses

The Most Iconic Styles of Our Time

ebook
1 of 1 copy available
1 of 1 copy available

The dress is the last bit of femininity in our closets; it's the only item of clothing which (most) men and women don't share. Wearing a dress is a powerful way for women to express themselves—and every style conveys a different message. Inspired by the Eleanor Estes' children's classic The Hundred Dresses, Erin McKean's classic-to-be by the same title, with chic illustrations by Donna Mehalko, is a definitive look at the dresses, vintage and modern, that make an inarguable statement about the woman who wears them.

Each evocatively illustrated entry identifies one of a hundred different dresses accompanied by a witty and informative look at the history of that particular style, famous wearers (if applicable), and what message, subtle or overt, is conveyed by the dress. Notes on where such a style could be observed and accessories of the wearer are also included.

Featured are The Wench; The Sari; The Vreeland; The Wrap; The Austen; The Beckham; The Siren (any style, as long as it's red); The Chanel Ingenue; The Caftan; The Guinivere; The Jackie; The Slip Dress; The Biohazard (any dress dangerous to bystanders or the wearer: think Lady Gaga); and scores more. The book also includes a suggested reading list of fashion books, dresses from literature, and an index.

Part style commentary, part fashion blueprint, part clever field guide, The Hundred Dresses will ensure that no woman (or man) ever underestimates the power of the dress.

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    • Publisher's Weekly

      March 11, 2013
      Like any 100-best list, a book of iconic dresses invites potential quibbles with its selection criteria. Yet McKean and illustrator Mehalko have created a book so charming that any critic is completely disarmed. One of the dresses has to be the infamous curtain dress worn by Scarlett O’Hara, but McKean insightfully notes that “he defining characteristic of the Scarlett O’Hara is not the fabric of the dress but the determination of the wearer.” Mehalko’s illustrations, which have an equal partnership with the text, evoke the whimsy of a Cher headdress that reminds us of the Oscar moment without being too specific. McKean defines some clear categories: single-moment dresses (The Mondrian, The J-Lo), universal dress shapes (The Sack, the Baby Doll Dress, dress “types”), and fashion moments that have become categories: “The Dorothy Dress is any dress in which you find yourself having an unexpected adventure.” “The Pretty Woman dress is any dress that serves both to hide one’s origins and to bring out some essential truth of character.” In all its delightful chattiness, the book has something intelligent to say about fashion as representation and nostalgia. As McKean writes: “You can use this book … to help you decide what stories you want to embody…” 4-color illus. throughout. Agent: Lisa Bankoff, ICM.

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Languages

  • English

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