Damned If I Do

October 25, 2004
Novelist and satirist Everett (Erasure
; A History of the African American People (Proposed) by Strom Thurmond
) gives his own particular spin to tales of fly-fishing and the American South and West in his second short story collection. In "Alluvial Deposits," a hydrologist encounters a Colorado woman who refuses to give him permission to inspect an aquifer on her land. After she tells him off, "she slam the door and manage to squeeze the word nigger
through the last, skinniest gap." Racial conflict filters into most of the 12 stories, which are told with a raw simplicity that stands in bracing contrast to forays into the surreal. In "Epigenesis," a fly-fisherman catches a three-and-a-half-foot-long talking trout, which gives him advice that helps save his marriage. As he has in previous works, Everett strives to demythologize the American South. In one of the strongest stories, "The Appropriation of Cultures," a young, Ivy league–educated black guitarist living in South Carolina buys a pick-up truck with a Confederate flag sticker on it. As he drives the truck around town, he's threatened by hostile white Southerners, but manages to start a revolution of sorts as an increasing number of black Southerners co-opt the flag and fly it as their own. Clever and thought— provoking, this is a memorable collection.

Starred review from November 15, 2004
Following on the heels of critical success for such books as Erasure, Glyph, and Watershed, Everett does not disappoint in his latest compendium of a dozen dazzling short stories. "Epigenesis," which features a talking fish, embodies the essence of the entire collection, its disarmingly smooth cadence and simple realism abruptly turning to the fantastic and then back again, like a dream. Everett crowds his writing with subtle imagery and characters: the mental patient describing the chaotic scene of his escape to a blind man in "House," a man called Chicken Lady in "True Romance," the chorus of voices begging to be healed in "The Fix," holding a flashlight in the trailer of a terrified horse in "Afraid of the Dark," and Daniel, a black man, driving a pick-up truck with a Confederate flag in "The Appropriation of Cultures." Whether exploring identity, loss, or the implanted prejudice at America's core, this collection offers a fresh and often hilarious perspective on the ways we see-and are blind to-the world. Highly recommended.-Prudence Peiffer, Cambridge, MA

Copyright 2004 Library Journal, LLC Used with permission.

October 15, 2004
Everett's wit and wry observations are in abundance in this collection of short stories. The locales range from urban to desert, characters range from a black hydrologist with the Fish and Game Commission to old Hispanic men to men of uncertain age and ethnicity--all searching for a sense of place and identity. A man with a mysterious gift for fixing broken objects, from toasters to sexual confusion to the recently deceased, is overwhelmed by the demands of a needy public; a male romance writer finds his peaceful New Mexico retreat threatened by the encroachment of development; a young black musician embraces the racially charged symbols meant to degrade him and turns them back on his would-be tormentors. Action is slow paced, leaving more emphasis to character development, dialogue, detail, and underlying sensibilities that evoke sly humor and sharp social commentary. Readers who enjoyed Everett's " Erasure" (2001) will find this collection quite appealing.(Reprinted with permission of Booklist, copyright 2004, American Library Association.)